When Meg Remy, the visionary behind U.S. Girls, got an offer to play at a festival in Hot Springs, Arkansas in early 2024 — over one thousand miles away from her home in Toronto — she enlisted Nashville-based friend Dillon Watson (D. Watusi, Savoy Motel, Jack Name) to assemble a one-time band for the occasion. The show went so well that she decided to ride thatenergy right back to where the impromptu band had initially rehearsed, in Music City itself, kickstarting the journey toward Scratch It.

In just ten days, Remy and her band — Watson on guitar, Jack Lawrence (The Dead Weather, The Raconteurs, Loretta Lynn) on bass, Domo Donoho on drums, and both Jo Schornikow and Tina Norwood on keys, as well as harmonica legend Charlie McCoy (Elvis, Bob Dylan, Roy Orbison) — recorded Scratch It live off the floor with minimal overdubs, mixed to tape.

Closeness and ease emanate from this core band with Remy’s singular voice sparkling on top of every tune, the most relaxed it has ever been.